Divya by Yashpal, 1945
Translated by Anand
I was never taught in
school that Sialkot was the seat of a great Greek kingdom of Madra, a century
after Alexander roved through the area. Milinda, also known as Menander, a Greek
prince, born in present day Bagram, Afghanistan (the notorious airbase and the
jail camp) came and founded the Kingdom of Marda in present day Sialkot. He defeated the Brahmin Paurav
caste system dynasty. It led to a long duration of peace and harmony where the
ruling aristocracy consisted of Greeks, High caste, "double-born" Brahmin Hindus and Buddhist.
Later in life, Milinda
entered Buddhism and it changed the politics of the area.
Their sociopolitical life
was somewhat analogous to the un-partitioned India of recent centuries where
indigenous Indians of different religions and sects interacted with invaders
from the Northwest and the result was a mix of assimilation and separations.
Greeks and Buddhists married within and with the ex-slaves. Hindus of high
caste, tried to remain genetically pure while mixing socially in every other
way. They all tolerated each other, but carried an undercurrent of sense of
superiority for themselves and disdain for the other.
A result of Milinda
accepting pacifism was the loss of military edge his rule had. It did not need
military might as everybody was happy. But later it became tempting for
neighboring states to eye Sagal. The king of Darva in the Northeast was
planning to attach Sagal.
I always wondered that how
Buddhism which was widely practiced in its place of birth, India, got wiped
out. This book, set in that historical time, provides some hints of that.
It is in this background
that Yashpal has based his historical fiction, Divya. It is blurred where the history ends and fiction kicks in.
This is first century BC
and Milinda is off the scene. He had abolished dynastic power, freed all the slaves of
his state on conversion to Buddhism. After he leaves the scene without any successor,
Sagal is ruled by a Council. Hundred years old commander in chief of Army, a Greek,
is now the President of the state. There is a Chairman of the Republic Council
is a Brahmin high caste Hindu. Some of lower castes and even ex slaves, based
on their success in business, have made it to the aristocracy, although may not
be able as yet to be on the council itself. The ex-slaves and commoners however
could gain high position if they join military and eventually could become part
of the ruling class. Not much different form the present times. Slowly the society has started to tilt again in the direction of High Castes and the Buddhist influence started to wane.
The Chief
Justice is a centurion, a Brahmin, whose father was kept in the same position
when Milinda conquered Sagal. Later he inherited his father’s position.
Divya is a young great
granddaughter of the Chief Justice, who learnt to be a dancer at the acclaimed
school of the Court Dancer and Laureate of Art, Devi Mallika. At the Festival
of the Spring, she wins the dance competition to be declared the Daughter of
Saraswati. At the same festival, Prithusen, a son of ex slave turned a business
magnate and himself a young graduate of military academy wins the men’s
competition of marksmanship, defeating sons of Greek, Brahmin and Kashtriyans
aristocracy. Still he is denied the
privilege to give his shoulder to the palanquin of Diyva, the winner of the dance
competition. Rudhradhir, son of the Chairman of the Council and a high caste
Hindu stops him from doing that. At the same scene is an atheist and convicted sculpturist Marish who
speaks openly against the religion and the establishment. Banished at times, he
is still tolerated.
These three men keep on reappearing in the tumultuous life of Divya.
These three men keep on reappearing in the tumultuous life of Divya.
What follows is a high
drama which moves at a comfortable pace, but takes unexpected turns; something
typical of Yashpal. It is laces with masterpieces of innate wisdom and profound
inner sight by ordinary characters. All
the characters have their ups and downs.
Divya self-surrenders to
the love of her life and then she realizes gradually that she has to pay a price for that. She has to run away. Dejected time
and again, she tries to kill herself. She survives and moves on to see further
vicissitudes of life.
The three male characters
cross their path with her at one time or another and the suspense remains.
The essence of the story
is a lesson Divya learns when in desperation she tries to enter a Buddhist safe
house but denied entry by the priest as she does not have the permission of any
males of her family: father, husband, brother or son. She argues that Buddha
himself had given shelter to a prostitute. In reply the priest tells her that a
prostitute is a free woman. A prostitute is more independent than a
high caste woman. This profound realization that a woman was a slave
of man, no matter what caste she belonged to, was too much for contemporaries of
Yashpal, and he paid a price for that.
In choosing her path,
Divya becomes an independent woman. Whether she keeps her independence or gives
in to another chance of reinduction as a high caste woman, is the story is all
about.
I got introduced to
Yashpal through his seminal work, Jhoota Sach, which is all about Lahore and
Partition. It was introduced by his son Anand, who had translated it in English
in the Urdu Conference at NYU New York early in 2019. (You can read my earlierb about that). I read that in Urdu and then in English. The present book is
also translated by Anand.
It was given to me as a
present by my son. Thank you, Danial.